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Hızlı Erişim







Abstract


The Museddes of Divane Mehmed Celebi and the Tazmin on Museddes
The tradition of nazire (a poetry written by another poet by using the same, rhythm, rhyme and redif in the same way to a poet’s poetry) is an integral part of Turkish Literature especially Divan poetry tradition. It is a necessary structure for younger poets to educate themselves as well as a poesy indicator for the poets who proved their poesy. The tradition of tazmin (quotation) which is accepted as an extension of nazire is writing nazire by using a verse or a couplet of the model poetry. Within this framework, a refrain müseddes (a hex poetry written in the same rhythm) written by Divane Mehmed Celebi with the appellation Semai who was the Sheikh of Afyon Mevlevihouse was quoted by Nev’î, one of the significant poets of the 16th century, and Kavsi of Tabriz, one of the poets of the 17th century beyond the time and space. Semai, with a mystical happiness, had explained the situation of lover against divine love, the suffering on the way and lover’s not complaining situation in his müseddes successfully. Different from the model poetry, the states of lover, suffers, the lover’s not complaining situation was explained more pathetic and within a tangible love framework in the quotations (tazmin) where the refrained couplet was used of this museddes. The Quatations are as successful as the base poetry. In this article, the focus will be on the content of the poems and later the poems will be compared in terms of form and content.

Keywords
Nazire, Tazmin, Âşık, Semâî, Nev’î, Kavsî


Gelişmiş Arama


Duyurular

    Kasım 2017 sayımız için makale kabul süreci başlamıştır

    Çankırı Karatekin Üniversitesi Sosyal Bilimler Enstitüsü Dergisi için Nisan 2017'de yayınlanması maksadıyla makale kabul süreci sona ermiştir.


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